Cartas- Letters from Home

The Majestic Valley Oak - Quercus Lobata

Oak 1

Distinguishing Characteristics: Valley oak, so called because it grows chiefly in open valleys, is the largest of western oaks. A striking characteristic is its scattered occurrence. Massive short-trunked individuals with enormously broad, often symmetrical round-topped crowns, grow naturally far apart, forming picturesque vistas through their open ranks.

Oak 2

The huge trunk with grayish, deeply furrowed bark, gives off very large, rough-barked arching limbs at from 8 to 25 feet from the ground, the drooping lower branches sometimes reaching the ground.

Oak 3

Occasional trees have tall undivided trunks with small spreading or drooping short branches in a narrow dome-like crown; generally, however, there is not more than a single length of clear saw timber in the trunk.

Oak 4

Height: From 60 to 75 feet, sometimes 80 or 100 feet, with a diameter of from 30 to 40 inches or more. As it straggles up narrow valleys into the foothills, it becomes small often under 30 feet in height and 1 foot through. Mature leaves shed in autumn, are variable in size and form on the same tree. They have deep green and minutely hairy star shaped hairs on their top sides, lighter and minutely hairy beneath leaf stems, also.

Oak 5

Acorns: Matured in one season and sometimes produced in very large quantities, are also variable in size; bright chestnut brown when ripe. Wood, pale, dull brown, very brittle, firm, often cross grained and difficult to split or work. On account of its poor timber form, the trees are rarely if ever cut for anything but fuel, for which, however, they are much used.

Oak 6

Longevity: Nothing is known of the extreme age attained, but it is believed to reach at least from 300 to 400 years.

~Forest Trees of the Pacific Slope, by George Bishop Sudworth, 1908

American Film Company and Santa Barbara's "Flying A" Studio


Early Films Movie Palace

In the early years of  the 20th century, on almost any day of the week, it was possible that a passel of lean, dark horses would be seen at a full run, heading pell mell down State Street.   Astride each of these horses was a wild-eyed cowboy, clinging like a burr to his saddle.   They sped through the sleepy town, these men on horses, amid the acrid smoke and  loud pops of old-fashioned six-shooters fired into the air.

Occasionally, one may have spied a low-flying bi-plane that shattered the serene seaside morning as it buzzed the curved shoreline....unsuspecting tourists who strolled along Cabrillo Boulevard would  gasp,  grasp at their loved ones, and run for cover against the chaotic scene in the sky. 

There were times when a woman could be heard to scream as she lay, bound hand and foot,  on the Southern Pacific railroad tracks,  her shreik competing with the ominous whistle of the 5:15 train....

The world of modern films - silent movies - was born here, in Santa Barbara, where, no matter what the script,  the perfect mise en scène was created and captured on film before the director yelled, "Cut!" 


In 1909,  there were about 2,500 motion picture exhibitors in America.  These "exhibitors" showcased films in little theaters and movie palaces from coast to coast - throughout the heartland and hinterlands of the United States.  

A few films were made each year, and were owned and distributed by the powerful Patents Company.   In the earliest days, movies were actually "photo plays".  These plays were  all filmed indoors in relatively small sound studios. 

At that time, most movies were made by George Spoor and  Gilbert Anderson, who had formed the Essanay Film Company (from "S and A").  Their photoplays were filmed in studios located in Wisconsin, New York or Chicago, and the final products were distributed and routed to theaters through the Motion Picture Distributing Company.  

But by 1910, there were a host of independent film makers - mavericks - men who did not want to be controlled by the politics and rigid methods of the Patents Company.  SS Hutchinson, who owned the Chicago-based American Film Company, concocted a plan to lure some of the best Essanay film-makers and actors away from their parent company.  

Alan Dwan, J. Warren Kerrigan, Charles Ziebarth, and others from Essanay joined Hutchinson in his new venture.  The group joined the American Film Company and together, they formed the Flying A Studios.  The independent Flying A Studios allowed for creativity and innovation that had not been possible within the confines of the Essanay way of doing things.

Theater Seats

The first order of business was to get away from photo plays.   Film-goers had become more sophisticated, and they wanted big action, vivid scenery, and  realism. SS Hutchinson and his Flying A Studios determined that they would create it.  

Hutchinson had visited Southern California, and knew that the excellent weather, the variety of scenery available, and the many days of bright sunlight would be the perfect atmosphere for creating these new types of movies.  He sent his crew to La Mesa, California, (near San Diego) to set up shop.   They filmed most of the movie scenes out of doors.

Early Films Popcorn Machine

New technology was needed to support this shift to filming action and drama outdoors - new lighting techniques were developed to facilitate filming after dark; lighter and more sophisticated camera equipment was necessary, as were better camera lenses.  Equipment became more portable and easy to use, even away from the studio. Film processing was enhanced. These improvements brought an increase in quality and believabilty to the web of fantasy that film makers were now able to offer. 

The world delighted in the dramatic action, the vivid comedies, the special effects and stunts that were performed, along with the natural beauty and realism that were displayed on the big screen.  They wanted more. 

Soon, the American Film Company sent scouting crews all over Southern California to seek new opportunities for filming locations.

Early Films Motiograph

SS Hutchinson considered his options carefully.  Widespread publicity and rave reviews from   America's wealthiest citizens had imbued Santa Barbara, California, with a reputation as a charming and desireable vacation destination and residence.  Santa Barbara was always described in superlatives, and was perceived as a year-round summer-land whose temperate climate and natural wonders were seemingly wreathed by perfumed vines that flowered year-round at the edge of a gentle shore edged by an azure sea.  

No kidding.

The reality for the movie industry was that abundant sunshine most days of the year would allow for copious filming opportunities, and the variety of landscape and scenery options could be used to depict almost any spot on earth.  The world already held the little town in great esteem, and setting the Flying A Company in Santa Barbara would offer a romantic and fanciful élan that Wisconsin or Illinois just could not impart. 

Also - Hutchinson knew Santa Barbara was a viable location for a film studio, as Essanay had successfully filmed several of the original Bronco Billie movies here....

Hutchinson was sold.  Although the American Film Company remained based in Chicago, Santa Barbara was its new western home.

Early Films American Cinematographer

According to old Santa Barbara city directories, there was an ostrich farm located on upper State Street (near the corner of today's Mission and State Streets).  This was deigned to be the perfect site for the new film company - near sea and mountain, and just outside the little city.  The ostriches were evicted, and the actors were installed.  The American Film Company/Flying A Studio  began by building an outdoor stage, converting the old house into offices, and constructing workspaces for creating costumes and scenery, and for processing film.

Flying A Films 1913

The American Film Company

  Santa Barbara and vicinity furnish the incidental scenery and background for one of America's largest industries - the manufacture of motion picture films.  American Film Company Santa Barbara 1920

In July,  1912,  the American Film Company established its studio at Santa Barbara,  and beginning with only one company of players, has developed a plant now employing from eleven to thirteen companies,  and has a payroll amounting to thousands of dollars weekly.

The continued presence of the American Film Company at Santa Barbara is due to the fact that that city and surrounding country offers practically every scenic location necessary for making pictures,  adaptable to almost every situation and subject.

Opportunities in Film


There are mountains and canyons,  deserts,  the Pacific ocean with its rocky cliffs,  caves, and sandy beaches,  noted hotels,  and homes that range from the old adobes of Mission days,  to the beautiful estates of millionaires.   In recent months,  President Samuel S Hutchinson of the American Film Company has inaugurated construction work at the local studio which will make the plant,  long noted for its efficiency,  one of the most complete in the world.....

Early Films Olive Tell and Lou Tellegen

The local manager of the industry at Santa Barbara is Mr PG Lynch.   

~ Gidney, Brooks, Sheridan, History of Santa Barbara, Ventura, and San Luis Obispo Counties, 1917

Flying A Studio Today 2

The studio completed two features a week  in the beginning - 1,000 feet of film for each.  After shooting the movie, the film would be sent back to Chicago for final processing and basic editing.  The negative would be returned to Santa  Barbara for final editing, and sent back to Chicago for approval and distribution.  

Santa Barbara fell instantly in love with the city's newest resident:  the movie industry. 

The flying Lougheed brothers, along with Jack Northrup and Glenn Martin (later of Lockheed-Martin and Northrup Aerospace) brought the world some of the first aerial views of the earth captured on film - shot from the clear blue skies above Santa Barbara.  Wild stunts took place throughout the town and surrounding areas, to the amusement - and sometimes, bemusement - of tourists and townspeople.  

Early Films Movie Camera


Kevin Starr, California State Librarian and eminent historian, relates a story about a dramatic scene being filmed in downtown Santa Barbara in those early days.   The film crew loaded a car with dummies, and sent it careening down State Street.  The stunt went awry, the car slammed into the limosine that had been parked alongside the curb.  Dummies were flung into the air, and landed on the street.  Horrified passers-by, as well as the limosine's owner - a Montecito resident - imagined at first that the dummies were real bodies.  All parties were relieved to find that the carnage was not real, and the only damage done was to the limo.  

Other unusual scenes played out around town - Warren Kerrigan and other actors filmed a riotous sword fight for use in The Adventures of Jacques; 

Adventures of Jacques - Flying A

...there were shoot-outs between bandits and sheriffs' posses in the rugged back country of Santa Barbara county; the local railroad tracks were used to film episodes of The Perils of Pauline;  and a beautiful and controversial young actress, Audrey Munson, starred in Purity, where she appeared in the world's first nude scene,  set in the dappled shade of a California sycamore tree that grew near a creek just outside of town.

There was much excitement surrounding the presence of the actors and movie moguls around town, as well.  On any day of the week, Mary Pickford, Mabel Normand, Lon Chaney, Mary Miles Minter, Audrey Munson, Fatty Arbuckle, Lou Tellegen, Thomas Ince, or DW Griffith, might be seen.  They ate in local restaurants, bought their groceries at Diehl's Market on lower State Street, and made use of the goods and services offered by local craftsmen and merchants.  Movie stars were often seen at the beach, walking downtown, at the country club and at social events in the area.  They had really  become a part of the community.

With each new film, movie production improved and became more sophisticated.  Soon, it was possible to screen a movie just 24 hours after filming, and obtain retakes, if necessary.  Flying A added a still-photography studio so they could produce publicity photos, they enlarged the indoor filming studios, and added an updated film processing studio.   They even built an entire old western town, located at the back of the lot where ostriches used to graze.  From 1912 to about 1919, Santa Barbara was deemed the film capital of the world.

Flying A Studio Today 3

However, as American movie-goers expanded their appetite for films, they began to crave movies set in urban environments.  American and the Flying A staff found themselves traveling southward more and more often, to access suppliers, production companies, and to secure actors and extras.  Los Angeles also provided the urban setting that was becoming so popular.

And just like that - the world's movie capital in Santa Barbara was abandoned.  By the time movie production had ceased in Santa Barbara, about 1,200 movies had been filmed in and around the area.  

Hollywood received her crown and title of Film Capital of the World.  And so it remains today.

 The Flying A Studio propety in Santa Barbara was eventually abandoned.  It languished for years, being used intermittently as a place for religious revival meetings, then a roller rink, a USO dance hall, and eventually a mortuary.

Flying A Studio Today 6

Today, the property houses an architect's office, the Quaker Society meeting place, a Buddhist meditation center, dentist offices, apartments,

Flying A Studio Today 5

a restaurant, and other little businesses.   The rose arbor, beneath which the world's early movie stars would gather and mingle - belongs to the architect now. 

Flying A Studio Today 9 

Today, it is possible to find other remnants of the early film industry can be found throughout the downtown area of Santa Barbara.  A few blocks south of the original movie studios,  the Flying A Studio Boarding House stands on De la Vina Street.  The property has not changed much in the past 100 years, and the buildings on the property are still used as apartments and residences today.

Flying A Boarding House 7

For years, this was home to many of the costumers, artists, technicians, and movie extras who were involved with the film industry.

Flying A Boarding House 2

 And while the Flying A Boarding House was home to extras and technicians and production staff, many of the stars and executives lived in other accommodations nearby.

Flying A Boarding House Sign

One of the favorite hotels was the Edgerly Court Hotel, located at the corner of Sola and Chapala Streets.  The sturdy brick and timber structure was built exclusively for people employed by the local film industry.

The Edgerly 4

  It offered more commodious and elegant accommodations than the boarding house.  Today, the Edgerly Apartments provide affordable housing for income-qualified senior citizens.  The building is beautifully maintained, and looks much the same today as it did when first built.  It is a downtown jewel.

Edgerly Court Apartments

Another luxurious option was the Arlington Hotel, located  across the street from the Edgerly Court Hotel.  The Arlington, one of the west coast's most famous luxury hotels,  eventually became the Arlington Theater.  

Today, the Arlington Theater is a movie palace in the grand tradition of a bygone era.  It is also an important venue for showcasing live events: musicians, dancers, authors, and other performance events are hosted throughout they year. 

It is also the beloved and sentimental site of many annual Santa Barbara International Film Festival events.

Arlington Hotel 1910

 The annual Santa Barbara International Film Festival allows us to bask in the glamour and magic of the film industry, all over again.


The 26th annual Santa Barbara International Film Festival continues through February 6, 2011, with screenings, award cermonies, and special events scheduled every day.

Visit their website to purchase view the schedule, purchase tickets, or to learn more about the people and events of the 2011 SBIFF.

Audrey Munson, Movie Star - America's Forgotten "Girl O' Dreams"


Audrey Munson Makes Flight

Audrey Munson,  the motion picture star,  accompanied Allen Loughhead from Santa Barbara across Santa Clara Bay to Catalina Island,  where she is working on her next production,  The Girl O' Dreams.

This was Miss Munson's initial flight in a heavier-than-air machine,  and judging by the brevity of her costume,  she purposed to keep it as light as possible.  

Audrey Munson

"It was the most wonderful adventure in my life, " declared the pleased Miss Munson when she landed. Several other California stars have bought their own aeroplanes,  and Miss Munson says she will own her own too....

~ Aerial Age Weekly, 1916

Audrey Munson was an artists'-model-turned-actress whose images are scattered across the American landscape, even today.  And while her fame was a bright candle long ago - time has obscured the life story of this feisty, fragile, fierce, feminine woman who, for a brief while, captivated a world-wide audience.

She reached a zenith of fame that few ever achieve - and later, a dark basement of obscurity .  Her existence was as dramatic as any Hollywood script....

Audrey Munson with her cat

Born in Mexico, New York, in 1891, Audrey Munson was not only beautiful - but from an early age, she possessed a certain mythic demeanor, an ethereal countenance that entranced the entire world. 

In 1906, she became an artists' model, a studio muse whose unclothed form inspired some of the most famous sculptors of the early 20th century.   Ms. Munson's face and figure portrayed enduring images of beauty, grace, justice, bravery, victory - she is immortalized in the New York City Fireman's Memorial, the arch on the Manhattan Bridge, as well as many of the scuptures created for thePanama-Pacific Exposition that was held in San Francisco, California, in 1915.  Some say it is she who is portrayed on the United States Mercury dime and the Liberty half-dollar. She appears, still, in monuments and statues in New York, California, Wisconsin, Maine, the Carolinas....

Thanks to her fame and beauty, Ms Munson was recruited as a movie actress.  She starred in several silent films of the era.  She also offered the world its first celluloid vision of a nude female form....

The Movies

Inspiration, a moving picture of artist life released last November,  disclosed the heroine for brief moments in complete nudity.   Due to the artistry of the producer,  Mr George Foster Piatt,  late stage director of the New and the Little theaters,  and of Miss Audrey Munson,  a well-established professional model,  these scenes did not exceed the bonds of esthetic provocation.

~The American Journal of Urology and Sexology, 1916


Ms. Munson was a favorite tabloid figure of her day - she was young, beautiful, uninhibited - provocative.  Society loved to follow her youthful escapades - her adventures, her romantic trysts, her decadent lifestyle.  Some vilified her for her indomitable spirit....others were enthralled.

In relatively few years, however, controversy and scandal had tarnished Audrey Munson's once-bright star.   Her fame had begun to wane. 

By 1919, she and her mother were living in a boarding house in New York, owned by Dr. Walter Wilkins and his wife, Julia.  Dr Wilkins became obsessed with Audrey, and although she and her mother had already moved out of the house - the physician murdered his wife to clear the way for a romance with Ms. Munson.   Convicted of murder, Dr Wilkins hanged himself while awaiting execution on death row.  

Audrey's outré lifestyle, coupled with the fickle nature of fame and the continual march of time,  had rendered Ms. Munson a has-been in both the artistic community and the film industry.

Audrey Munson

In 1922, Audrey Munson - already suffering from paranoia and mental illness that would plague her for the rest of her life - attempted suicide by swallowing mercury after being spurned by a lover.  

This signaled the real beginning of her fall from grace - her dramatic plunge into darkness and anonymity. 

According to the New York Times,

Ms. Munson was eventually taken to the St. Lawrence State Hospital for the Insane, in nearby Ogdensburg, where she lived from her 40th birthday, on June 8, 1931, until her death in 1996 at age 105.

~NY Times, December 9, 2007

Audrey Munson died in obscurity, almost completely forgotten by the world. 

But on that shining afternoon long ago, in the skies above Santa Barbara, California, like a winged goddess she flew over the sparkling Pacific Ocean, a young woman of unequalled beauty, glamor, and fame, with the entire world at her feet.  

Unfortunately, like some other mythical creatures, it seems she eventually flew too close to the sun....

I found this short film about the life of Audrey Munson created by Roberto Serrini.  There are some wonderful images of the immortalized Audrey Munson.

Santa Barbara has always had close ties with the film industry. 

Each year, Santa Barbara is pleased to host the Santa Barbara International Film Festival.

  To purchase tickets to the film festival, learn more about special events and award ceremonies at the Santa Barbara International Film Festival - visit their website: SBIFF